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It runs through all of his work, and almost none of the LOLHerzog stuff I see seems to understand that he's self-aware. I know I'm butchering these from memory, but this kind of ultra-bleak and deadpan humor is what makes him so interesting to me.
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The other is when he goes on this long spiel about how the jungle is an obscene place made entirely of sex and murder, and how it terrifies and disgusts him, ending up his rant with a thoughtful pause and, "I love it here." That is a shaggy dog joke. The first is the most obvious: The sequence where he's talking about how he was driving with a gas can in his car to burn down Kinski's house with him in it, but he gets half way there and remembers that he's afraid of Kinski's dog. There are two perfect examples I can think of right now, both of which I think are from My Best Fiend. Of Walking in Ice ( German: Vom Gehen im Eis) is the diary of the German film director Werner Herzog, published in 1978 and reissued by University of Minnesota Press in 2015.
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I'm no Herzog scholar, but I am a big fan, and it's clear (to me anyway) that this is his sense of humor, and all of these kinds of things are sort of zenlike half-truths.
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Includes, for the first time, Werner Herzog's 1982 "Tribute to Lotte Eisner" upon her receipt of the Helmut Käutner PrizeI'm getting a little tired of this meme of Herzog being some kind of nihilist. Herzog documents everything he saw and felt on his quest to his friend's bedside, from poetic descriptions of the frozen landscape and harsh weather conditions to the necessity of finding shelter in vacant or abandoned houses and the intense loneliness of his solo excursion. Of Walking in Ice is Herzog's beautifully written, much-admired, yet often-overlooked diary account of that journey. He took a jacket, a compass, and a duffel bag of the barest essentials, and wearing a pair of new boots, set off on a three-week pilgrimage from Munich to Paris through the deep chill and snowstorms of winter. Herzog was determined to prevent this and believed that an act of walking would keep Eisner from death.
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German film historian, mentor, and close friend Lotte Eisner was seriously ill and dying. German film historian, mentor, and close friend Lotte Eisner was seriously ill and dying. In late November 1974, filmmaker Werner Herzog received a phone call from Paris delivering some terrible news. In late November 1974, filmmaker Werner Herzog received a phone call from Paris delivering some terrible news.
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